Glengarry Glen Ross
       
     
Wood treatment
       
     
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The Dragon's frame
       
     
Wet color blending
       
     
Semi-gloss polyacrylic
       
     
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Real Estate Agency
       
     
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Glengarry Glen Ross
       
     
Glengarry Glen Ross

Studio Theatre at Virginia Tech, Spring 2017.

Always be closing!- Blake, Glengarry Glen Ross (1992 film).

David Mamet’s two-act, Pulitzer Prize-winner play. The first act happening inside The Red Dragon, a Chinese restaurant. From the booths to the mahogany wood, the mural of the Dragon on the wall, and the lanterns hanging off the ceiling, the concept of red makes a statement, against its later counterpart in act two: the grey Real Estate agency.

Directed by Bob McGrath

Scenic Design by Rhi Sanders

Lighting Design by Dylan Bomgardner

Costume Design by Mary Rathell

Properties Design by Lauren Chilton

Charge Artist: Stefnie Cerny

Assistant Scenic Artist: Estefania Perez-Vera

Wood treatment
       
     
Wood treatment

Every piece of furniture inside The Red Dragon has wood applications that were treated to achieve a mahogany look. A wet color blend was done for the grain, and two coats of semi-gloss polyacrylic were applied for the finished step.

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The Dragon's frame
       
     
The Dragon's frame

Having a similar treatment than other wood applications in the show, the frame had to go through a first coat of sculpt-or-coat to seal the porosity of the foam. 

Wet color blending
       
     
Wet color blending
Semi-gloss polyacrylic
       
     
Semi-gloss polyacrylic
17918378_1447455351972980_1355099935_n.jpg
       
     
Real Estate Agency
       
     
Real Estate Agency

The second act, with it's ironic climax and crude end, happens at the interior of a Real Estate Agency. It's grey color palette, contrasting the red quality of the Chinese restaurant, was emphasized by the incandescent lighting.

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