The Importance of Being Earnest
       
     
Wall texturing
       
     
Shades of green
       
     
32073971_10212035947394108_5207922960530145280_n.jpg
       
     
Spatter
       
     
Ceramic Tiles
       
     
Coat of Joint Compound
       
     
Base Coat and Spatter
       
     
Shades of terracota
       
     
  Photo by Rhi Sanders.
       
     
Props
       
     
Base Coat and Grain
       
     
Finish
       
     
  Photo by Joseph Fry.
       
     
  Photo by Joseph Fry.
       
     
  Photo by Joseph Fry.
       
     
  Photo by Joseph Fry.
       
     
The Importance of Being Earnest
       
     
The Importance of Being Earnest

Ann & Ellen Fife Theatre, Virginia Tech’s Moss Art Center, Spring 2018.

A play by Oscar Wilde

Directed by Patricia Raun

Scenic Design by Stefnie Cerny

Lighting Design by Dylan Bomgardner

Costume Design by Laura Vitale

Charge Artist: Rhi Sanders

Assistant Scenic Artist: Estefania Perez-Vera

Photo by Joseph Fry.

Wall texturing
       
     
Wall texturing

A mixture of light joint compound and water was applied with a pointing trowel to nine wall segments. The texture would go on a gradient of heavy waves to plain coverage, from bottom to top.

Photo by Rhi Sanders.

Shades of green
       
     
Shades of green

Three to four different tones of green were used in the walls, having the darkest green on the upstage walls, and the lighter greens on the offstage walls.

Two coats of paint were applied to each wall.

Photo by Rhi Sanders.

32073971_10212035947394108_5207922960530145280_n.jpg
       
     
Spatter
       
     
Spatter

A final layer of spatter, using three shades of green, was applied to the walls, adding another more visual texture to them.

Ceramic Tiles
       
     
Ceramic Tiles

To recreate the type of roofing the design required, cardboard tubing was cut to size and shaped into tiles. Rows of them would be overlapped and stapled down to a baseboard of luan, to facilitate their final installation.

Coat of Joint Compound
       
     
Coat of Joint Compound

Once stapled to the luan, the tiles were covered in one coat of light joint compound, as preparation for their paint treatment.

Base Coat and Spatter
       
     
Base Coat and Spatter

Once fully dry, the tiles were covered in one coat of terracota, and a final spatter with three lighter and darker tones of red.

Shades of terracota
       
     
Shades of terracota

As with the walls, the location of the roof tiles determined whether they would receive a lighter or a darker color treatment, which would translate into the tones used for the spatter.

Photo by Rhi Sanders.

  Photo by Rhi Sanders.
       
     

Photo by Rhi Sanders.

Props
       
     
Props

To make every item on stage have a uniform aesthetic, some props had to be repainted to the right tone of dark brown. In the case of this table, it had to be sanded first, to get rid of the coat of sealer it already had.

Base Coat and Grain
       
     
Base Coat and Grain

Three tones of brown were wet-blended to create a consistent wood work, with a very sutil grain in cream.

Finish
       
     
Finish

One coat of semi-gloss polyacrylic finished the look.

  Photo by Joseph Fry.
       
     

Photo by Joseph Fry.

  Photo by Joseph Fry.
       
     

Photo by Joseph Fry.

  Photo by Joseph Fry.
       
     

Photo by Joseph Fry.

  Photo by Joseph Fry.
       
     

Photo by Joseph Fry.