Concept art for the set design. 2017.
Soft pastels, charcoal, and technical pen over light Fabriano.
Concept render for Mr. Tumnus’ hut.
Handrawn. Line work done with technical pen over tracing paper. Colored in layers with professional markers, charcoal and color pencils.
Concept render for the Stone Table.
Handrawn. Line work done with technical pen over tracing paper. Colored in layers with professional markers, charcoal and color pencils.
Concept render for the White Witch’s palace.
Handrawn. Line work done with technical pen over tracing paper. Colored in layers with professional markers, charcoal and color pencils.
Concept rendering.
Technical pen, markers, and charcoal over bond tabliod.
A site-specific performance that explores the nature of grief, and the promise of forgiveness. 2017. Concept Art for the set design.
Soft pastels and charcoal over bond tabloid paper.
An experimental theatre performance based on Julio Cortazar’s novel Rayuela, 2017. Concept render.
Considered one of the greatest novels of the XX century, Rayuela explores universal existential dilemmas: the crisis of feeling lost, living without a purpose, and the quest to find said purpose (which, along the way becomes the purpose itself). The impact of others in our lives, and how life itself is never linear, but episodic. The importance of having a choice. In an era where society tries to oversimplify life, we end up oversimplifying humanity itself. Cortazar pushes us to reconnect with humanity, and to confront- just like Horace- its chimeras.
This performance is a surreal contra-theatrical proposal. It’s an interpretation of both the novel itself and the creative process behind it. The scenes could be understood as either memories of Cortazar- having him at the middle of creation- or as him contemplating his own doing. It’s an exploration and tribute to the journey that the artist lived while making Rayuela, and the journey Rayuela itself takes the reader/spectator to.
Soft pastels over black Fabriano.
Concept art for From Everywhere.
Soft pastels over black Fabriano.
Concept art for a sculptural installation honoring the victims of the natural disaster of September 19, 2017, in Mexico.
A tribute to the souls that we lost that day.
Soft pastels over tracing paper.
First approach to the individual sculptures- one in honor of every victim- over a mirror of water.
Soft pastels and charcoal over tracing paper.
Concept art of the evolution, and preliminary design for the sculptures.
Soft pastels and charcoal over tracing paper.
Concept art for the set design of George S. Kaufman and Edna Ferber’s play, at The Barter Theatre (VA).
Soft pastels, markers, and charcoal. Line work with in technical pen, over Fabriano.
Set by Randy Ward. Final rendering in charcoal, and markers.
Set by Randy Ward. Final rendering with watercolors and technical pen.
Set by Randy Ward. Final rendering in watercolors, markers, and technical pen.
Concept render. 3D modeled in SketchUp Pro, rendered with V-ray. 2017.
Set design by Randy Ward.
Concept render for the 2019 production of the play at Studio Theatre, Virginia Tech.
3D modeled and rendered in SketchUp Pro.
Concept rendering. 3D Modeled and rendered in SketchUp Pro. 2017.
Set design by Randy Ward.
Concept art for the 2017 production of Noah Haidle’s black comedy play, at Studio Theatre, Virginia Tech 2016.
Digitally colored in Adobe Illustrator.
Final costume design renderings. 2016.
Digitally outlined and colored in Adobe Illustrator.